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Benjamin | July 1, 2008 at 5:41 pm | Reply

Ugh. A number of women in my poetry class hated the poem–whereas, of course, the men liked it. Wonder why. (sarcasm) I’m with you on every account on how we could / should read it.
theManicGardener | July 1, 2008 at 6:06 pm | Reply

Benjamin, did the women get it? Some folks just miss the self-awareness in the poem. Others feel that self-awareness doesn’t excuse the action–and that’s a valid criticism, I think, except that it creeps towards a perfectionism that isn’t just unobtainable, it’s objectionable.
A former prof. disliked Orwell’s essay “The Execution” (I think that’s the title) on the grounds that Orwell should have DONE something about it, not just bemoaned it after the fact. She also thought he shouldn’t have shot the elepant. Well, duh. He agrees. The whole point of “Shooting an Elephant” and perhaps of Kumin’s poem as well is how we can be backed into what feels like a corner, and then take what seems to be the only way out. Interesting that both involve shooting animals.
In Orwell’s case, of course, he’s crowded into that corner not by peer pressure, but by the massed Indian peasants waiting to see what the British soldier with the gun was going to do, while in Kumin’s case, it was her own logic that laid out the straight and narrow path into that corner. Ooh, I see a comparative essay assignment. I’d never thought of these two together before.
By the way, are you onto Dan Schneider? I was happily ignorant of him until this morning, when I stumbled on his rewrite of this poem. If you want to see red, check it out: http://www.cosmoetica.com/TOP30-DES28.htm
–Kate
Joy | July 2, 2008 at 5:02 am | Reply

Kate .. I’m reading this very early in the morning .. so a bit foggy even with the coffee.
A point I take away from this poem is that we all have a dark corner some where in us that when pushed to the absolute limit .. well we can be capable of at least the “thought” of doing such things ? .. just a wee bit ? LOL
Thanks for your thoughts too .. LOL
Joy
our friend Ben | July 2, 2008 at 6:19 am | Reply

Food for thought, Kate! Thanks for posting this. Surely Kumin’s point is the contrast between the “clean,” hidden, cost-free death–loved her comparing it to the Nazis’ techniques–and the awful, ugly, hands-on, in-your-face reality of what you’re actually doing to the animals if you decide to kill them. Reminds me of people who happily eat cut-up, sanitized, plastic-encased meat while getting up in arms about hunters. In both the poem and the meat consumption, the actions are the same, but in only one case in each instance is the responsibility for that action squarely faced.
theManicGardener | July 2, 2008 at 11:49 am | Reply

Absolutely how I think of it, Joy. There’s an audio of Kumin reading the poem (I just added the link to the post); I don’t especially like the reading, actually, but she introduces it by saying that it’s “a terribly autobiographical poem,” which I think says a lot about her horror at what she did.
OFB–Yes. Great analogy! There’s an on-line idiot (in my humble opinion) who thinks the reference to Nazis is over-used, simplistic, but I disagree; if it makes for easy moral closure, it’s a cop-out, but if it makes us think, it isn’t.
–Kate